Raid on the Two Market

Raid on Two Market

Adl el-Hasm was said to be more adventurous than his contemporaries, which was why he chose to make his own path, ignoring the usual bargaining in the slave market of Alor, He chose instead to do his own raiding in the unclaimed interiors where he heard slaves waited to be herded into pens.

Adl el-Hasm, also, a practical man, brought along a formidable army of ex-slaves who are fiercely royal to him, having been made to believe that he was instrumental to their freedom, a belief that was not all that unfounded since he bought them out from back bending toil amongst the sand dunes, and having the choice to keep them as bond men he had instead set them free with the option of either staying to work with him for wage or to take their fate into their own hands – an option many could not bear to think of in a strange land with strange customs. Most decided to stay with him – even after he told them his plan for their homelands in the forest belt.

Some of the ex-slaves Adl el-Hasm hired spoke dialects mutually intelligible to those of the deeper forest he intended to raid and retained the native immunity to disease to a large extent, and as such greatly reduced the problem of communication and disease to a minimum. Adl el-Hasm, having endeavoured to learn the native lingua en-route, also had the advantage of doing his own talking without resorting to an interpreter, albeit in a highly accented version of swamp river speak, which, fortunately, was mutually intelligible to hinterland dialects.


This band of royal ex-slaves, it was, that raided the Land of the Seven Hills on that bright morning, a market day, when the air held scant scent of the trouble that was to come. Had it occurred on a different day, perhaps, the outcome would have been different for the people of the Seven Hills do not go to war on the Two Market day.

Tul, a large man with the charcoal black compression of the Swamp dwellers lead Adl el-Hasm’s raiding team. Adl el-Hasm trusted him on account of his sound judgments and his extensive combat experience from his days as a Swamp River warrior.

He was sold to the Alor slavers by his uncle who wanted to lay claim on his inheritance – a wrong he swore to right sooner than later – and the Alor sold him to the Blue skinned Slavers who somehow he somehow managed to find favour with. They set him free after just four years of bondage, something that is as rare as the battle between the sun and the moon since the Blue slavers are known to be exceptionally brutal.

Adl el-Hasm had found him loitering in Hamdan city port awaiting a slave caravan headed for the forest lands; he had befriended him and offered him a part in his enterprise. An offer Tul grabbed with both hands.


Now Tul stood hidden behind leafy bushes, flexing his massive fingers on the hilt of a wicked looking sword hanging from a tiger skin belt on his waist, watching the market intensely through the few cracks in the foliage.

He and his men had been in position since the second cockcrow, knowing from experience that it was usually women and teenage boys that would be in the market that early, the men would still be at home putting off till the last minute the necessity of selling their yams.

He could see from his vintage point that only a small number of the youths, gathered around the market square talking loudly – obviously bragging about one wrestling conquest or the other – were old enough to strap the customary long cutlass on dainty waists. He mentally marked the position of these armed ones while signaling to his men hidden behind him to commence the attack.

The raiders attacked as a body, having silently encircled the market. It was their bloodcurdling battle cry that attracted the attention of the young men by the square, who, momentary confused, rushed to see what was afoot, believing it to be a plank, for war are not fought in the market place and no clan had sent a war monger to the Seven Hills of late.

They came face to face with the raiders and knew instinctively that this was for real.

For a tense moment they stood rock still, horrified, as the first line of raiders crossed the market boundary heading straight for the women and young maidens, while a second line whooped behind them. Then a battle cry from behind told them that they are effectively hemmed in.

It was at this point that Tul, who was then walking leisurely towards the youths believing them subdued, learnt the new meaning of respect. Not soon had he opened his mouth to tell his boys not to harm the youths but to disarm them, than loud feminine ululations broke out from the other side of the market where the women were. All hell broke loose, the boys, who were until then passively awaiting their fate, seemed to suddenly animate as they too took up the cry and before Tul could make head of this sudden development, they attacked, and fiercely too.

One, who appeared to be the eldest, rushed an oncoming raider and deftly severed his head from his body before he could raise the battle axe he carried.

The battle was joined, and Tul discovered too late that the previously unarmed youths were not as helpless as he had thought; they easily picked up woods, pestles, a discarded hoes and even the base of an incomplete gong and wielded them with a dexterity that perplexed him.



From atop a nearby hill, Adl el-Hasm marvelled at the scene unfolding before him, it appeared as if the youths, who were outnumbered ten to two, had the upper hand. Then he noticed a remarkable thing, they were not fighting to get away from the raiders but steadily pushing back towards the market square where a knot of people were already assembled, apparently encircling a women cradling a young boy.

He watched without emotion; as two of his men were cut down under the savage cutlass of the youthful warriors, while wondering how they acquired their skill in hand to hand combat.

It would have been instructive if he had paid a little more attention to the tales about the Hill Tribes, then he would have known their fame as skilled warriors and how hand to hand combat was thought to children as young as two years who grew up acquiring the skill as deftly as they do dance routines.

Though most of his crew had guns he had made them leave them behind, he didn't want to take the risk of a trigger happy hombre taking pot shots at the would be slaves just for the heck of it; he thought it would be a clean sweep, in and out before their presence was felt. Yes, he was told about their ancient bravery, especially in front of their women folk, but he never bargained for this.



Below, it was becoming, more apparent that the raiders were more confused than the villagers who were all heading towards the market square. Some, especially the young warriors, fought furiously through the raiders to get there. Once there, they turned to stand at the periphery of the cluster and appeared to wait.

"But for what?" Tul wanted very much to know.

He did not mind the cluster for it will make his job a whole lot easier. Instead of chasing after wild eyed women and kids; he will get to pick out the ones he wanted from an already gathered circle. He called out to his men to stop forcing the remaining women to a different direction. Those ones were also fighting as hard as the youths to get to the circle, with sharp fingers nails and well placed kicks that dropped many of the men.

He was not surprised when the fight stopped as soon as it had started.

The natives gathered together in a tight circle, silently watching.

The sudden silence bothered him. No one, not even the children made any kind of noise or movement, none appeared scared, the only noise that broke the silence briefly was made by his men as they barked orders to each other.


Fali, a young raider originally from the nomadic sheep herder tribe of the Fall, was disturbed by the silence of the tribesmen too. Earlier he had seen a fierce youth, not past his fourteenth season, chase two raiders down the market road with a large pestle, howling like a mad man, only to break one's leg before smashing the other's nose in. these were men he had crossed the desert and swamp forest with, men who fought the warlike river people by his side, men he feared and respected as superior soldiers running from an adolescent youth. Turning to Tul he said, "Efendi, I do not like this at all" his face looked like that of one who suckled sour grape when he had expected orange.

Tul, on another occasion, would have tried to douse Fali’s fears or even say something funny to ease the general tension, but this was not one of those days. Anyway, any statement he would have made was cut off by a loud roar that seemed to emanate from the bowel of the earth itself.

The raiders turned around as a man, head reverting in all directions trying to pin point the direction the horrifying sound came from, had they not, they would have noticed that the villagers did not pay any special attention to it, the only significant thing that happened within the circle, was the child that slide down from his mother’s arm and walked with a big smile to stand at the very front of the circle.


From his vintage point on the hill, Adl el-Hasm was the first to see the lions, two fierce adults, male and female, bigger than he had imagined any lion could be.

They charged in from opposite directions, one heading straight for the knot of raiders while the other went straight towards the hurdled hill men, only to halt in front of the young child and nuzzled his outstretched palms – Adl el-Hasm did not see that for his attention was focused on the male, that rushed the band of raiders and tore out the throat of the nearest one with a swift sidelong jerk of his massive head.

Pandemonium reigned supreme; the hunters became the hunted as survival became a race for the swiftest and the luckiest. Adl el-Hasm was transfixed as he stared open mouthed as his men were slaughtered.

He still had the presence of mind though, to note that the female lion did not attack the raiders directly but only seem to act as a guard, attacking only those who had the bad luck of running towards the market square and the now hurdled villagers. Together, the lions brought swift death to the market square.

On his part, Tul had seen lions before and has even hunted them but he has never seen or heard of specie this big or fierce. He still had the presence of mind to call out to his fleeing men, even as he too tried to keep out of the rampaging lion's way. He tried to gather the few of them who were close by and then slowly guided them away from the market, knowing that lions will never attack a closely packed group – which appeared to be the Hill people’s defense – for lions, once they taste blood, rarely know foe from friend.

His scheme worked as he had hoped it would for the lion left their immediate vicinity to chase down the stragglers and wounded who couldn't make it to the circle or were too scared to even try.

The lions circled them, constantly charging but always stopping a few paces away. Tul chanced a look back and counted about thirty dead and dying of his elite raiding band. Surely, he thought, this has being the worst campaign he has had the privilege of been in. not even the bloody revolt of the river dwellers had been this costly.

They were harried by the lions till they reached the foot of the hill where Adl el-Hasm waited with the reserves that never came to their rescue. Not that Tul begrudged them, for who could withstand those lions from Fradry – the land of shadows beyond the sea.



Adl el-Hasm watched his weary men climb up the short hill, each running as swift as tired legs could carry, looking back constantly to see if the lions are still in pursuit. The lions had returned to the cluster of hill men, to sprawl in the dusty earth in front of the mysterious boy; but not before tearing into the throats of the wounded raisers with dagger like canines.

Adl el-Hasm was more intrigued than afraid, though he had heard about the Hill Men and their lions; he did not believe that any unknown force was in play, he just believed that the hill men have found a way to tame the lions while keeping their wild fierceness.

He looked once more beyond his retreating men to the market square and noticed the young child had his hands outstretched and the lions, tail swishing, stepped forward to nuzzle them.

Tul noticed where he was looking and turned towards him.

‘Yes Efendi, that boy is not ordinary; it was to him that the hill people ran when we attacked.’ He said, battling to catch his breath.

‘I think not Tul, It might just be that the lions belong to the boy.’ He said over his shoulder as he moved towards the path that will take them back to his encampment in low lands, two days march away.

Tul did not follow immediately; he stood still for awhile watching the boy play with the lions. He saw now that the hill people had began to move about, though not far away from their cluster. Yes, he thought, that child is special.

Lagos 2060: the future is here

The question, what do you think the future will look like? Has been asked by millions of people all over the world and people have attempted to answer it. The genre of fiction called sci-fi is basically attempts by writers to answer that question. In Nigeria, a lot of people are attempting to answer that question and they are going further than just telling a story, they are also creating the scenario.

I was opportune to attend the Lagos 2060 writers workshop organised by DADA books in conjunction with Amaka Igwe’s Centre for Excellence in Film and Media Studies. Several other young writers braved the pouring rain to attend the event which was anchored Mr Ayo Arigbabu of DADA books and the centre fo excellence's Chris Ihidero.


The participants were mainly writers and architects who all share an interest in futuristic fiction. The conveners hoped to draw from the skills of the creative writers and the architects in creating a scenario of what Lagos will look like in 50 years, seen from different minds and ideas.

Participants came from as far as Enugu, south-eastern Nigeria.

Mr Chris Ihidero started the ball rolling with a crash course in story telling as it relates to both script writing and prose, but not before airing a song by the sweet voiced neo soul artist Contradiction titled ‘first’ , as an example of how moving a well told story, even in song can be if done right.

Right after Chris came Mr Ayo Arigbabu who showed the participants, to our delight, a futuristic five levelled ‘4th mainland bridge’ complete with solar panels, sewage treatment, office towers and residential blocks complete with green areas.

That set the tone for the deliberations of the day. Not surprisingly, as one would have expected in a gathering of creative minds, ideas started pouring in as people aired their story ideas or suggested modifications to that of others.

Like everything Nigerian, politics crept in and what the future of Nigerian politics would look like spawned some very insightful ideas. It appeared most people believed the country would have moved forward in 2060, but some stories ideas that hugged the post apocalyptic still turned up.

For fear of blowing the whistle, I can only say that in all, it was a very rewarding experience.

The anthology ‘Lagos 2060’ will be published by DADA book in 2011. It is a collection of science fiction short stories set in Lagos fifty years from now.

Nollywood, their Hollywood

Nollywood: What’s name got to do with it?

Growing up in the north central city of Kaduna, I had many dreams. Mostly, they came and went, replaced by something newer or more interesting. Time has probably dimmed memories of many of these childhood dreams; but I still recall some that stayed awhile longer than others like my adolescent crush on Jennifer Capriati who made me pay serious attention to tennis, a sport that was as alien to my peer group as Atilogu dance would have been to an American teenager, then there was that great plan to start a music group that would rival Boys 2 Men, But the strongest of all these, and also much more vivid, was my desire to become an actor.

Of all these desires, this latter one was the only one that seemed real, near at hand, or realisable – at least it was the only one I seriously practiced, that is if standing in front of my stepmother’s mirror, mouthing catch phrases from popular movies, can be termed ‘practice’. At that time, ‘Living In bondage’ and ‘Rattle snake’ held millions of my fellow countrymen enthralled, effectively shifting our attention from western movies and the musical Indian ones.

My dream of pursuing an acting career seemed fresh and real because unlike the Hollywood and Bollywood stars that previously graced our TV screens, the new stars the home grown movies brought to our homes looked like us and spoke English with the same sort of accents we do. The movies too, were set in cities we have either visited or heard about, and the stories they told were ones we could relate to. In summary, that could easily be our lives that scrolled past the TV screen.

Like other dreams before it, the big screen longing died, replaced by another that had lain for years under the surface – evidenced by my mad craze for anything readable and my desire to make words sing as I couple them together. This new desire later overshadowed every other one, but my interest in the Nigerian home movie industry did not falter, well not at first, not totally.

Perhaps it wasn’t the interest in books that directly killed my acting desires, I think it had more to do with how predictable the movies became and the fact that bandwagon effect became the norm – if a romance movie sells, producers rushed to shoot romance movies; if a movie with occult leaning sells, the same thing happens. The movies become boring and repetitive. Understandably, some of us went back to watching western movies, only turning back to the home grown home movie once in awhile when a very interesting movie turns up as they are want to.

Surprisingly, the Nigerian home movie industry grew, not really in quality, but in seer volume, producing a staggering 872 movies a year to become the third largest movie industry in the world. Overtaking big players like Japan and china — it has, as of 5th may 2009, overtaken Hollywood and closed the gap on India, the global leader in the number of movies produced each year, according to a new United Nations Educational, Scientific and Cultural Organization (UNESCO) report.

It was a well deserved even if overblown hype, since the Nigerian movie industry had over the years endeared itself to most countries south of the Sahara and even Hollywood had to take notice.

Many western producers marvelled at the two week time frame that Nigerian producers worked with as well as the ability of the actors and actresses to work on two or three projects at a time, shuttling between different movie sets where they at times play lead roles.

That was the golden age of the Nigerian movie industry, way before the copycat name change. The stars needed to work hard and they did. Some were living the life, big cars and houses, appearing on prime time TV and whatnot. Some even became demigods, especially when it was discovered that the storylines were not selling movies anymore, when a face or several faces in combination made a movie a must watch.

Yes, because of very bad scripting production, viewers turned to some established stars that were believed to be rich enough to turn down any role they find unpalatable. All was not rosy, but the industry crawled on.

Then the name change.

Many people have asked where the name nollywood stemmed from, apparently no one really knows, someone used it somewhere and it stuck.

Without gainsaying, that name is synonymous with everything that is wrong with the Nigerian movie industry, the copycatism, the bad scripts, the hasty editing, the recycling of cast, the misrepresentation of cultural values, etc, etc. The list could go on and on, but it will serve no real purpose here.

The big players in the Nigerian movie world are apt to point out the latest misplaced giddy heights that the Nigerian movie industry occupies in the UN classifications. They think third in the world behind Bollywood and Hollywood mean they have finally arrived, but they fail to understand that they are only third in terms of production, not quality of production. They are third, but it is a very distant and lonely third, especially when countries that are at the tenth position make better movies and are better rated in terms of quality of movies, sales, distribution and earnings.

Granted, westerners invest a whole lot of man hours and capital into the movies they churn out, but who says we cannot do the same? Must we wallow in a pit filled with movies that so lack in intellectual quality they cause the viewer headaches? Not to mention how lazy scriptwriters and tight fisted producers and directors have effectively re-created our traditional values and culture. Why must our movies have kings in every nondescript village, when in the reality, kings and such are alien to the culture that those movies are supposed to portray? How many Nigerians know what an herbalist’s home looks like? Believe me it is nothing like what most of our no-research movies portray.

Nigerians have billions of stories to tell, you only need to listen for a minute, you only need to write the truth, you only need to re-enact the truth, you only need to invest in the truth, only that way can you have the next big Nigerian movie. Some are listening, some are doing it right. One only wished they did earlier than this.