Showing posts with label Binyavanga Wainaina. Show all posts
Showing posts with label Binyavanga Wainaina. Show all posts

Thursday, January 30, 2014

Danfo Chronicles: When masquerades go to church and gays become criminals

It was a few years ago, at the time citizen news reportage was gaining traction across the nation, that news of masquerades meting out corporal punishment on miniskirt and trouser wearing young ladies somewhere in the Nsukka  axis reached social media.

As usual, the Nigerian social media reacted true to type with that outpouring of anger that occurs whenever vestiges of the ‘devilish’ past of our ancestors appear to be in conflict with the sacred untouchable manifestations of the new religion.

Caught up in outrage, most of us missed the big story, which was not that masquerades enforced a dress code, but that this dress code stemmed originally from the Christian church.

Monday, January 7, 2013

Of traffic snarls and the land of the rubber men



It is a hot day.
Another of those days that traffic stretches as far as the eyes can see causing people in cars to share something other than the unity of crawling traffic and sweltering heat: short fused temperament.

This is Lagos, the heat and traffic snarls are constant realities that we have learnt to live with, no matter how hard that is. Nigerians, we are special breeds, rubber men that defy the laws of elasticity—we are yet to find that elastic limit and we continue to adjust to constantly shifting challenges. Nothing seems to shift more constantly than our traffic laws. Perhaps they don’t really shift, change, rather the government finds new way to express them. That way they keep us on our toes, sweating in choking traffic.

We do have constants, those things that remain the same year in year out. The danfo bus, a modified Volkswagen van that perhaps ferried goods from one point to another in the European country that hosted its first incarnation, is one of the things that remain the same. A testament of our dump mentality, the danfo, like millions of other automobiles in Nigeria, comes second-hand: Europe’s discard serving faithfully here, still.
There is little to see in the scrap-like drabness of the danfo bus I boarded in the hope that their street and alley meandering ability would perhaps shorten the time I would otherwise spend in the traffic snarl—a vain hope. The clammy intensity of the heat that comes from within and without did not gift concentration, so Binyavanga Wainaina’s One Day I will Write About This Place rests in its place in the side pocket of my well-used bag. Yes, I had discovered that the three hours spent in traffic heading to work and the three hours spent on the way back is a good time as any to catch up on reading. Before One Day I Will Write About This Place, one of those Ikeja-under-bridge-paper-backs—a novel by John Varley—occupied the space in the bag. Victor Ehikhamenor’s brand new book Excuse Me!, a testament of where Nigerian literature is headed, will replace Binya’s in a few days.