It would not be farfetched to declare that the literary scene in Nigeria is on fire. There might not have been any corresponding reverse in the reading culture of Nigerians as it is – yet. However, the prevailing atmosphere within literary circles is one of itchy expectation, with an endless line of aspiring writers itching to find some form of relevance. Here, the internet, of course, has become a ready tool for the willing.
Years past, aspiring writers sent their works to the few newspapers and magazines that published works of that nature. This is usually done without recourse to any form of peer review and more often than not, the works are rejected, with the attendant knocks on the ego of the writers.
These days, things have changed, and drastically for the better too. The coming of the internet has provided avenues for savvy youths to meet, interact and coalesce into groups that are now driving Nigerian literary industry—yes, it is time we start calling it that and run it as such. These groups are revolutionising the way literary events and discussions are handled, causing even semi-retired old timers to crawl out of the woodwork and take notice.
While there are several groups with similar purpose, this article intends to highlight one of them, Book N Gauge.
Continue reading here
Showing posts with label nigerian writers. Show all posts
Showing posts with label nigerian writers. Show all posts
Tuesday, December 20, 2011
Wednesday, October 19, 2011
Call for entries: Commonwealth Book Prize and Commonwealth Short Story Prize
Commonwealth Writers – a world of new fiction
Today the Commonwealth Foundation made the call for entries for the new Commonwealth Book Prize and Commonwealth Short Story Prize. The prizes are part of a new initiative, Commonwealth Writers, an online hub to inspire, inform and create a community of writers from all over the world. Together with the prizes, Commonwealth Writers unearths, develops and promotes the best new fiction from across the Commonwealth.
Awarded for best first book, the Commonwealth Book Prize is open to writers who have had their first novel (full length work of fiction) published between 1 January and 31 December 2011. Regional winners receive £2,500 and the overall winner receives £10,000. The Commonwealth Short Story Prize is awarded for the best piece of unpublished short fiction (2000-5000 words). Regional winners receive £1,000 and the overall winner receives £5,000. The winners will be announced in June 2012.
Chair of the Commonwealth Book Prize, Margaret Busby said “The significance of a prize such as this becomes greater with each year. It is vital to encourage and celebrate the talent of newly emerging novelists whose words have the potential to inspire and enrich the entire literary world. Searching out and promoting the best first books of fiction internationally is a serious task, a great honour and a wonderful challenge.”
Chair of the Commonwealth Short Story Prize, Bernardine Evaristo said “This wonderful prize will turn the spotlight on the increasingly popular short story form and aims to support and encourage short story writers worldwide.”
As one of the Commonwealth Foundation’s culture programmes, Commonwealth Writers works in partnership with international literary organisations, the wider cultural industries and civil society to help writers develop their craft. Commonwealth Writers is a forum where members can debate the future of publishing, get advice from established authors and ask questions of our writer in residence.
Commonwealth Foundation Director, Danny Sriskandarajah said “As one of the Commonwealth Foundation’s flagship projects, I’m delighted that we’re putting the prizes firmly on the contemporary map of new writing and launching a dedicated Commonwealth Writers website to extend our global reach.”
Full rules and entry and eligibility information is available @ www.commonwealthwriters.org
Closing date for entries:
Commonwealth Book Prize is Friday 9 December 2011 (5pm GMT)
Commonwealth Short Story Prize is Wednesday 30 November 2011 (5pm GMT)
Today the Commonwealth Foundation made the call for entries for the new Commonwealth Book Prize and Commonwealth Short Story Prize. The prizes are part of a new initiative, Commonwealth Writers, an online hub to inspire, inform and create a community of writers from all over the world. Together with the prizes, Commonwealth Writers unearths, develops and promotes the best new fiction from across the Commonwealth.
Awarded for best first book, the Commonwealth Book Prize is open to writers who have had their first novel (full length work of fiction) published between 1 January and 31 December 2011. Regional winners receive £2,500 and the overall winner receives £10,000. The Commonwealth Short Story Prize is awarded for the best piece of unpublished short fiction (2000-5000 words). Regional winners receive £1,000 and the overall winner receives £5,000. The winners will be announced in June 2012.
Chair of the Commonwealth Book Prize, Margaret Busby said “The significance of a prize such as this becomes greater with each year. It is vital to encourage and celebrate the talent of newly emerging novelists whose words have the potential to inspire and enrich the entire literary world. Searching out and promoting the best first books of fiction internationally is a serious task, a great honour and a wonderful challenge.”
Chair of the Commonwealth Short Story Prize, Bernardine Evaristo said “This wonderful prize will turn the spotlight on the increasingly popular short story form and aims to support and encourage short story writers worldwide.”
As one of the Commonwealth Foundation’s culture programmes, Commonwealth Writers works in partnership with international literary organisations, the wider cultural industries and civil society to help writers develop their craft. Commonwealth Writers is a forum where members can debate the future of publishing, get advice from established authors and ask questions of our writer in residence.
Commonwealth Foundation Director, Danny Sriskandarajah said “As one of the Commonwealth Foundation’s flagship projects, I’m delighted that we’re putting the prizes firmly on the contemporary map of new writing and launching a dedicated Commonwealth Writers website to extend our global reach.”
Full rules and entry and eligibility information is available @ www.commonwealthwriters.org
Closing date for entries:
Commonwealth Book Prize is Friday 9 December 2011 (5pm GMT)
Commonwealth Short Story Prize is Wednesday 30 November 2011 (5pm GMT)
Oya, get cracking!!!
Monday, July 19, 2010
Funky Tuesday at the book Jam
You were a little bit sceptical when you received an invite for a special edition of what was usually a monthly event, The Bookjam. This special edition was supposedly in honour of writer John C Maxwell who, according to the invite, would be supported by three Nigerian authors.
Though only the name of one of the authors ringed familiar to your ears, Abraham Oshoko, author of ‘June 12: The Struggle For Power In Nigeria’ you decided to attend the event and arrived the venue about fifteen minutes before the 3 o’clock start of time, hoping to dodge a repeat of your adventure with African time a few weeks prior, but you hoped in vain. For an event that was billed for 3 pm, African time played much more than the usual havoc. You felt justified to give kudos to the organizers for starting just a few minutes later than the advertised time, but you also gave them knocks for, in 2010, using a sound system that transmitted more noise than all else.
You didn’t even shy away from also awarding Silverbird serious thumbs down for venue choice. Whoever picked the lobby of the Silverbird galleria for an event that was supposed to be intellectually engaging left too much to be desired as the constant drone of shoppers and a particularly annoying sound from some sort of machinery served as sources of more than just the casual distraction, drawing participants mind away from the discourse.
Anyway, after a sputtered (blame the sound) announcement by the mc, Ani, Abraham Oshoko began reading from his graphic novel. Though the young man really tried to convey the feel of his graphic novel via reading, the bland nature of it made you wonder if that is the best way to relay a work of that nature – perhaps an accompanying slide show would have suffixed here.
Sometime at this point, the audio got better, And you smiled as the author described his nationalistic leanings while answering a question from a participant as to what made him embark of his project (the graphic novel) and you recalled when you too found comfort in that sort of thing, Nationalism.
But then another young man, still young enough to fling his age about without feeling self conscious, Tolu Akani, a 21 year old, just a few weeks out of the university got up to read – to your undisguised interest – his newly published and launched book, which is basically a compilation of stuffs he wrote at 20.
Though you have never been inclined towards self help books, listening to young Mr Tolu read from his book sold you completely, or almost. The young man used simple every day analogies in a very creative way to convince you that his book is what whatever hype it surely would generate in the near future. You laughed aloud at his portrayal of the travails of a bottle of coke, how it sells for 50 Naira in a road-side buka and becomes 500 Naira in a high brow eatery, somehow you could imagine you being that bottle of coke…yeah, you could be. Says Mr Tolu…it’s all about packaging!
Then Mr Adebayo Adelaja-Olowo-Ake came with his delightful reading from his novel ‘Thunder Lightening and Storm’. Man! Did he bring all that and more to bear?
The fresh novel, which he said was inspired by a real life female Major-General in the Nigerian army, Aderonke Kale (rtd), a name whose fame was further buttressed by the fact that it was recognised by your word processor, centres around lieutenant Aminat Zechariah of the Nigerian airforce. The depth of this book, clearly evident even in the light of the less than an hour reading of a few parts, made you wonder why the author wasn’t published by one of the big players in the Nigerian literary scene.
The 2nd runner up of Project fame West Africa, Mr Tomiwa, was also on hand to entertain the guests with a rendition of his brand new single ‘I will do’. You nodded your head, captivated by the music, a love song, one you considered well crafted, while frowning slightly at the bum length short most of the obviously affluent young ladies that trooped in and out of the high-end galleria were sporting, wondering if, when they come, you will allow your daughters dress in such, let alone buy it for them.
Deciding to leave the venue a few minutes shy of the 6 pm closing time, you hastily explained to the man next to you that the traffic wouldn’t wait for the Aforementioned John Maxwell before closing up, making your journey home more hectic.
Outside, you flag an Okada down and as it meandered with you through the building traffic, you felt the weight of Tomiwa complementary CD in your suit pocket, You smiled happily. Yeah, it was well worth it…even without the advertised John Maxwell.
Adieu
Though only the name of one of the authors ringed familiar to your ears, Abraham Oshoko, author of ‘June 12: The Struggle For Power In Nigeria’ you decided to attend the event and arrived the venue about fifteen minutes before the 3 o’clock start of time, hoping to dodge a repeat of your adventure with African time a few weeks prior, but you hoped in vain. For an event that was billed for 3 pm, African time played much more than the usual havoc. You felt justified to give kudos to the organizers for starting just a few minutes later than the advertised time, but you also gave them knocks for, in 2010, using a sound system that transmitted more noise than all else.
You didn’t even shy away from also awarding Silverbird serious thumbs down for venue choice. Whoever picked the lobby of the Silverbird galleria for an event that was supposed to be intellectually engaging left too much to be desired as the constant drone of shoppers and a particularly annoying sound from some sort of machinery served as sources of more than just the casual distraction, drawing participants mind away from the discourse.
Anyway, after a sputtered (blame the sound) announcement by the mc, Ani, Abraham Oshoko began reading from his graphic novel. Though the young man really tried to convey the feel of his graphic novel via reading, the bland nature of it made you wonder if that is the best way to relay a work of that nature – perhaps an accompanying slide show would have suffixed here.
Sometime at this point, the audio got better, And you smiled as the author described his nationalistic leanings while answering a question from a participant as to what made him embark of his project (the graphic novel) and you recalled when you too found comfort in that sort of thing, Nationalism.
But then another young man, still young enough to fling his age about without feeling self conscious, Tolu Akani, a 21 year old, just a few weeks out of the university got up to read – to your undisguised interest – his newly published and launched book, which is basically a compilation of stuffs he wrote at 20.
Though you have never been inclined towards self help books, listening to young Mr Tolu read from his book sold you completely, or almost. The young man used simple every day analogies in a very creative way to convince you that his book is what whatever hype it surely would generate in the near future. You laughed aloud at his portrayal of the travails of a bottle of coke, how it sells for 50 Naira in a road-side buka and becomes 500 Naira in a high brow eatery, somehow you could imagine you being that bottle of coke…yeah, you could be. Says Mr Tolu…it’s all about packaging!
Then Mr Adebayo Adelaja-Olowo-Ake came with his delightful reading from his novel ‘Thunder Lightening and Storm’. Man! Did he bring all that and more to bear?
The fresh novel, which he said was inspired by a real life female Major-General in the Nigerian army, Aderonke Kale (rtd), a name whose fame was further buttressed by the fact that it was recognised by your word processor, centres around lieutenant Aminat Zechariah of the Nigerian airforce. The depth of this book, clearly evident even in the light of the less than an hour reading of a few parts, made you wonder why the author wasn’t published by one of the big players in the Nigerian literary scene.
The 2nd runner up of Project fame West Africa, Mr Tomiwa, was also on hand to entertain the guests with a rendition of his brand new single ‘I will do’. You nodded your head, captivated by the music, a love song, one you considered well crafted, while frowning slightly at the bum length short most of the obviously affluent young ladies that trooped in and out of the high-end galleria were sporting, wondering if, when they come, you will allow your daughters dress in such, let alone buy it for them.
Deciding to leave the venue a few minutes shy of the 6 pm closing time, you hastily explained to the man next to you that the traffic wouldn’t wait for the Aforementioned John Maxwell before closing up, making your journey home more hectic.
Outside, you flag an Okada down and as it meandered with you through the building traffic, you felt the weight of Tomiwa complementary CD in your suit pocket, You smiled happily. Yeah, it was well worth it…even without the advertised John Maxwell.
Adieu
Monday, June 28, 2010
2011 election draws near, where are the gladiators
They say the change should start with us. I am willing to vote for a progressive next year; it’s just that I can't seem to find any.
Pat Utomi used to be the 'man' but he has since dropped back to the usual wordy posting on Facebook. One had hoped Donald Duke would morph into some kind of Kennedy, but like the others, he seemed to have too many ... See more skeletons to bury.
I hear Dele Momodu is gunning for the top job, but I fear he might move the capital from Abuja to Accra. Besides, beyond musicians, actors, money bags and the like, I doubt if the man on the street knows who he is, abi welders and conductors dey read Ovation.
Bankole could have been a 'to die for' but the guy own worst pass, like Chimaroke, he seems to be keen on squandering a golden opportunity to endear himself to his fellow youths.
As it stands, I want to vote next year, but unlike last time around, when around this time I already knew Pat Utomi was going to get my vote, I am at loss as to who will fly the flag of the progressives.
Jonathanlitics or not, I am yet to be sold on the man, he seems to be a man with purpose and good intent, but so was OBJ.
I WILL VOTE sha, for Fashola... I don't know who else for.
Tuesday, June 1, 2010
The new super stars: Nigerian literature exits the long night
For the first time in a rather long while, something other than the usual monotony of sleeping, washing, writing and reading (in whatever order) crept into my Saturday calendar.
What replaced, to a large extent, these usual activities was the Farafina Trust literary evening with Chimamada and friends, something very much connected to my passion for writing, I rued missing it – for anything.
Though this would be my first time at the event, it wasn’t on that account that I was suffused with excitement, it also had nothing to do with the prospect of rubbing shoulders with Nigeria’s literary stars, na, it had much more to do with the Farafina trust’s creative writing program whose participants were to be unveiled that day.
It also had lots to do with the fact that after three years of trying to enter the writing program, I was finally able to submit an application on time. Two years before, I chanced upon news about the program weeks after it had rounded off and last year, I applied three days after the deadline for applications.
This year however, on account of my current job as an online editor for a business magazine and the pain of not applying on time before, I was waiting for it with abated breath. I made sure all those who might get advance knowledge of the program knew of my interest. My plans paid off as I got notice from award winning novelist Nnedi Okarafor and sent off an application immediately, then settled to await with abated breath for what I hoped would be a positive result.
I was very much elated when a personal e-mail came from none other than Ms Adichie herself reached my mail box, congratulating me for making the list of thirty five but informing me that, sadly, I was not among the final twenty selected for the program. Well, despite all my prayers and whatnot I didn’t get in. No leles, I said to myself, taking solace in the titillating fact that the celebrated author found my work good enough to warrant a personal note of encouragement. Dat kin ting no dey hapun evry day, Said I. I took this as a sign that there’s some good in my ramblings.
All said, perhaps you can understand my elation at being invited to the dinner in honour of those lucky twenty that made it into the biggest writing workshop in Nigeria.
I actually arrived about 45 minutes after the 3 o’clock the event was billed for (na naija we dey, had to make allowance for African time) and congratulated myself for good timing as the event was just kicking off.
I settled down to enjoy what turned out to be a very memorable evening, that is, if like me, you find the mixture of peppered snails, chilled Heineken and poignant words, provided by writers one had looked up to from afar, soul stirring.
All around me literary greats hovered, drawing envious glances from my fame seeking eyes. How I wish I am you, my eyes must have told them.
For the second time in two weeks I felt comfortable with my career choice – the first time was Adaobi Nwaubani’s ready at quintessence while watching people scramble for her book ‘I did not come to you by chance’ and having to fight for a copy with a rather determined young lady who wanted me to give in because I am ‘a man now’.
That same Nwaubani opened the floor to what will remain for munwa a memorable evening as she read from her award winning first novel. A parade of what read like Africa’s new millennium literary who-is-who also gave us tastes from their literary puddings, with Sade Adeniran, Chimamanda Adichie, Binyavanga Wainaina, Chika Unigwe, Nig Mhlongo and Eghosa Imasuen preparing the ground for the special guest of honour, Ghana’s Ama Ata who held not just my adoring eyes captive as she read first, samples of her poetry, then from her short story collection. I must mention at this juncture that her story ‘she who will be king’ stuck to my mind, probably on account of its futuristic leaning – I am at the moment involved in a futuristic anthology ‘Lagos 2060’ which seeks to tell tales set in Lagos 50 years hence.
It was a very fulfilling evening for me, one in which writers got the rare chance to shine in the public eye and we, the hopefully up and coming, got our chance to laugh with those who are shining the light we aim to follow.
As I was leaving a few minutes later and stopped to chat awhile with ace blogger Temitayo Olofinlua, with whom I had shared much more than one laugh a few day prior at another creative writing event, I chanced a look back at the lucky 20 and couldn’t help but wish I could switch places with one of them, the newly empowered.
All said I came off thinking that Nigerian literature, after a long night, is finally finding its way back to daylight again and was sure glad to be part of these, somehow.
What replaced, to a large extent, these usual activities was the Farafina Trust literary evening with Chimamada and friends, something very much connected to my passion for writing, I rued missing it – for anything.
Though this would be my first time at the event, it wasn’t on that account that I was suffused with excitement, it also had nothing to do with the prospect of rubbing shoulders with Nigeria’s literary stars, na, it had much more to do with the Farafina trust’s creative writing program whose participants were to be unveiled that day.
It also had lots to do with the fact that after three years of trying to enter the writing program, I was finally able to submit an application on time. Two years before, I chanced upon news about the program weeks after it had rounded off and last year, I applied three days after the deadline for applications.
This year however, on account of my current job as an online editor for a business magazine and the pain of not applying on time before, I was waiting for it with abated breath. I made sure all those who might get advance knowledge of the program knew of my interest. My plans paid off as I got notice from award winning novelist Nnedi Okarafor and sent off an application immediately, then settled to await with abated breath for what I hoped would be a positive result.
I was very much elated when a personal e-mail came from none other than Ms Adichie herself reached my mail box, congratulating me for making the list of thirty five but informing me that, sadly, I was not among the final twenty selected for the program. Well, despite all my prayers and whatnot I didn’t get in. No leles, I said to myself, taking solace in the titillating fact that the celebrated author found my work good enough to warrant a personal note of encouragement. Dat kin ting no dey hapun evry day, Said I. I took this as a sign that there’s some good in my ramblings.
All said, perhaps you can understand my elation at being invited to the dinner in honour of those lucky twenty that made it into the biggest writing workshop in Nigeria.
I actually arrived about 45 minutes after the 3 o’clock the event was billed for (na naija we dey, had to make allowance for African time) and congratulated myself for good timing as the event was just kicking off.
I settled down to enjoy what turned out to be a very memorable evening, that is, if like me, you find the mixture of peppered snails, chilled Heineken and poignant words, provided by writers one had looked up to from afar, soul stirring.
All around me literary greats hovered, drawing envious glances from my fame seeking eyes. How I wish I am you, my eyes must have told them.
For the second time in two weeks I felt comfortable with my career choice – the first time was Adaobi Nwaubani’s ready at quintessence while watching people scramble for her book ‘I did not come to you by chance’ and having to fight for a copy with a rather determined young lady who wanted me to give in because I am ‘a man now’.
That same Nwaubani opened the floor to what will remain for munwa a memorable evening as she read from her award winning first novel. A parade of what read like Africa’s new millennium literary who-is-who also gave us tastes from their literary puddings, with Sade Adeniran, Chimamanda Adichie, Binyavanga Wainaina, Chika Unigwe, Nig Mhlongo and Eghosa Imasuen preparing the ground for the special guest of honour, Ghana’s Ama Ata who held not just my adoring eyes captive as she read first, samples of her poetry, then from her short story collection. I must mention at this juncture that her story ‘she who will be king’ stuck to my mind, probably on account of its futuristic leaning – I am at the moment involved in a futuristic anthology ‘Lagos 2060’ which seeks to tell tales set in Lagos 50 years hence.
It was a very fulfilling evening for me, one in which writers got the rare chance to shine in the public eye and we, the hopefully up and coming, got our chance to laugh with those who are shining the light we aim to follow.
As I was leaving a few minutes later and stopped to chat awhile with ace blogger Temitayo Olofinlua, with whom I had shared much more than one laugh a few day prior at another creative writing event, I chanced a look back at the lucky 20 and couldn’t help but wish I could switch places with one of them, the newly empowered.
All said I came off thinking that Nigerian literature, after a long night, is finally finding its way back to daylight again and was sure glad to be part of these, somehow.
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